Christine Y. Kim                                                           cyknyc@gmail.com                                                

                                                         

Education

• New York University, Gallatin School of Individualized Study in American Studies and Critical Theory Interdisciplinary M.A., 1998
  
  • Masters Thesis: Mutation, Aura and the Art Experience in Cyberspace, 1999
• Connecticut College, New London, B.A., 1993
  
  • Double Major: Art History and French; Minor: Asian/Asian-American Studies
• Université Paris Sorbonne and L’Institut Catholique, Paris, France, 1992-93
• Yonsei University, International Division, Seoul Korea, 1991

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Selected Awards, Grants & Fellowships

• International Art Critics Association (AICA-USA). “James Turrell: A Retrospective.” First place, Best Monographic Museum Exhibition in the U.S. 2014
• Artis Curatorial Research, Israel, 2013
• Japan Foundation Art Curator Exchange Program, 2011
• ARTTable New Leadership Award, 2011
• Cultural Services of the French Embassy Research Grant, 2007
• Fund for Arts Research, American Center Foundation, 2002
• Turkish Cultural Institute, 1999

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Teaching experience

• Visiting critic, University of Pennsylvania Graduate School of Fine Arts, 2018-19
• Visiting faculty, Bard College, 2001-02

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Professional Committees & Boards

• Denniston Hill, Board Member, 2025-present
• A&L Berg Foundation, Advisor, 2024-present
• GYOPO, Co-Founder, Steering Committee Chair, Board Chair, 2017-present
• Museums Moving Forward (MMF), Board Member, 2023-present
• Stop DiscriminiAsian, Co-founder, 2020-22
• Los Angeles Nomadic Division (LAND), Co-Founder and Advisory Board, 2009-present

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Employment

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Britton Family Curator-at-Large, North American Art, Tate Modern, London, 2021 - 2026

• Sovereignty of Quiet: Elizabeth Catlett, Njideka Akunyili Crosby, Barkley Hendricks, Rashid Johnson, Tau Lewis, Jennifer Packer, Paul Mpagi Sepuya, and Charles White, collection display, 2026-27
• Poetics of Blackness: Dawoud Bey and Roy DeCarava, collection display, 2025-26
• Barbara Chase-Riboud and Robert Motherwell, collection display, 2024-25

Curator, Contemporary Art, Los Angeles County Museum of Art, 2019 – 2021

• Black American Portraits, 2021-22
• Julie Mehretu, 2019 - 2021, co-organized with the Whitney Museum of American Art, New York, 2020; toured the High Museum of Art, Atlanta 2020-21; and the Walker Art Center, Minneapolis, 2021-22

Associate Curator, Contemporary Art, Los Angeles County Museum of Art, 2010 – 2019

• Isaac Julien: Playtime, 2019
• Frances Stark: The Magic Flute, 2017
• Diana Thater: The Sympathetic Imagination, 2015, co-curated with Lynne Cooke; toured Museum of Contemporary Art, Chicago, 2016-17
• My Barbarian: Double Agency, co-curated with Rita Gonzalez, 2015
• James Turrell: A Retrospective, 2013-15, co-curated with Michael Govan in conjunction with the Museum of Fine Arts, Houston and the Solomon R.Guggenheim Foundation, New York; toured National Gallery of Australia, Canberra, 2014 and The Israel Museum, Jerusalem, 2014-15
• Figure and Form in Contemporary Photography: Selections from the Permanent Collection, 2012
• Christian Marclay: The Clock, 2011, 2012, 2015
• Human Nature: Selections from the Permanent Collection, 2011
• Teresa Margolles in collaboration with Los Angeles Nomadic Division (LAND), 2010-11

Associate Curator, The Studio Museum in Harlem, New York, 2004 – 08

• Kehinde Wiley: World Stage Africa, Lagos – Dakar, 2008
• Flow, 2008
• Odili Donald Odita: Equalizer, 2008
• Portraits, Landscapes and Abstractions: Highlights from The Studio Museum in Harlem Permanent Collection at City Hall, Hon. Michael Bloomberg, 2007-09
• Midnight’s Daydream: Artists-in-Residence, 2007
• Henry Taylor: Sis and Bra, 2007
• Philosophy of Time Travel, 2007
• Collection in Context: Silhouette, 2007
• Quid Pro Quo: Artists-in-Residence, 2006
• Nadine Robinson: Alles Grau, 2006
• Frequency, 2005
• Collection in Context: Selections from the Permanent Collection, 2005
• Meschac Gaba: Tresses, 2005
• Scratch: Artists-in-Residence, 2005
• Lamar Peterson: Picture in a Picture, 2005

Assistant Curator, The Studio Museum in Harlem, 2002 – 2004

• Figuratively, 2004
• Veni Vidi Video II, 2004
• Hands On, Hands Down: Artists-in-Residence, 2003
• Black Belt, 2003
• Veni Vidi Video, 2003
• Collection in Context: Selections from the Permanent Collection, 2002
• Ironic Iconic: Artists-in-Residence, 2002
• Edgar Arceneaux: Drawings of Removal, 2002

Curatorial Assistant, The Studio Museum in Harlem, 2000 – 2002

• Africaine, 2001
• Freestyle, 2001
• John Bankston: Capture and Escape of Mr. M, Ch. 1, 2001
• Harlem Postcards (ongoing seasonal project), 2002 – 2007

Researcher and Writer, Whitney Museum of American Art, New York, 1999 – 2000

• The American Century: Art & Culture, 1900-2000

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Guest-Curated Exhibitions

• Co-curator with Harry Choi, Bright Moon, Cold Sea, Los Angeles County Museum of Art, touring exhibition, 2027-28
• Curator and co-producer, sister dreamer, lauren’s halsey’s ode to tha surge n splurge of southcentral los angeles, presented by Los Angeles Nomadic Division (LAND), in partnership withsummaeverythang community center, South Central, Los Angeles, 2026-27
• Co-curator with Rita Gonzalez, 12th Gwangju Biennale The Ends: Politics of Participation in the Post-Internet Age, 2019
• Curatorial Advisor, Prospect.3 Notes for Now, New Orleans, 2013
• Curator, Art Public, Art Basel Miami Beach, 2012
• Curator, Art Public, Art Basel Miami Beach, 2011
• Curator, 19th Annual, Korean Cultural Center, Los Angeles, 2011
• Curator, 18th Annual, Korean Cultural Center, Los Angeles, 2010
• Co-curator with Malik Gaines, We Want a New Object, California Institute of the Arts M.F.A.exhibition, Los Angeles, 2008
• Curator, Peter Norton Residence, CPW1, New York, 2005 - 06
• Curator, Purloined, Artists Space, New York, 2001
• Curator, The Light Show, Gale Gates (Emerging Curator Series), Brooklyn, 2000

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Selected Published & Broadcast Interviews

• “Black American Portaits, LACMA.” IMUUR2: Art, Aesthetics, and Asian Americaconvening, Cantor Arts Center, Stanford University, October 28-20, 2022
• “James Turrell Experiments with ‘The Thingness of Light Itself’.” Fine Art, National Public Radio, September 2014
• “Christine Y. Kim.” Amy Abrams, Interviews, Art in America, June 2012
• Interview with Christian Marclay, Christine Y. Kim et al. Radio 360, KCRW, July 2011
• Interview with Christine Y. Kim, Inside Africa, CNN International, April 2005
• Interview with Thelma Golden, Christine Y. Kim, Sanford Biggers and Adia Millett by Charlie Rose, Charlie Rose, PBS, June 8, 2001

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Selected Publications and Essays

• “The Aughts and the F Shows: Studio Museum in Harlem 2000-08.” Studio Museum in Harlem, forthcoming publication (2026)
• “Julie Mehretu.” Meaning, Matter, Memory: Selections from the Studio Museum in Harlem Collection, Studio Museum in Harlem, New York (2025)
• “Suki Seokyeong Kang: Willow Drum Oriole.” Suki Seokyeong Kang: Willow Drum Oriole, exhibition catalogue, ed. June Young Kwak and Harry Choi, Leeum Museum, Berlin: Hatze Cantz Verlag (2024)
• “Calida Rawles: In Conversation.” Calida Rawles: Away with the Tides, exhibition catalogue, ed. Maritza M. Lacayo, Pérez Art Museum Miami (2024)
• “Mickalene Thomas: Experimentation and the Aughts.” Mickalene Thomas: All About Love, exhibition catalogue, ed. Ed Schad, The Broad, Los Angeles and Hayward Gallery, London (2024)
• ”Letter to my Sixth Grade Self.” Best! Letters from Asian Americans in the arts, eds.Christopher K. Ho and Daisy Nam, Paper Monument (2021)
• “1966 and the Light in LA.” Unexpected Light: Works by Young-Il Ahn, Baik Art (2017)
• “Kori Newkirk.” Issue Magazine (Issue2 2015)
• “Deposing Dualities in Prospect 3.” Prospect 3: Notes for Now, Prestel, NY (2014)
• “Wangechi Mutu: The Pin-ups.” Wangechi Mutu: A Shady Promise, Damiani Press (2008)
• “Mark Bradford: it’s tricky to rock a rhyme to rock a rhyme that’s right on time.” Zing Magazine (Winter 2005)
• “Long Ago and Far Away.” Eduardo Sarabia, exhibition catalogue, I-20, New York (2003)
• “Kehinde Wiley Faux Real.” Interview, Issue 7 (Fall 2003), 54-67
• “Colorblind? Luis Gispert, Rico Gatson, Glenn Kaino, Julie Mehretu, Yunhee Min, Kori Newkirk, Nadine Robinson, Eduardo Sarabia, Eric Wesley.” V Magazine (March/April2003)
• “Faux Real: Interview with Kehinde Wiley.” Black Romantic exhibition catalogue, ed. Thelma Golden, The Studio Museum in Harlem, New York (2002)
• “Candice Breitz: Third Degree Burn.” Candice Breitz exhibition catalogue, Centrum fϋr Gegensartskunst, Linz, Austria (2001)
• “Intervention with Odili Donald Odita.” Odili Donald Odita exhibition catalogue, Florence Lynch, New York (2001)
• “(212) Staging Illusion.” (212): Diti Almog, Wayne Gonzales, Odili Donald Odita, Lisa Ruyter, and John Tremblay, exhibition catalogue (2000)
• “From Dual to Plural: Five Korean American Artists.” The Korean War in American Art &Culture: Fifty Years Later, exhibition catalogue, East Hampton: Keener’s East End Litho (2000), 31-35

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Selected Exhibition Reviews & Feature Articles

• Kim Katherine Youngmee. “When Chuseok Means a Full Moon and Handmade RiceCakes.” T Magazine, New York Times (November 3, 2025)
• Tillet, Salamishah. “The Harlem Renaissance.” Harper’s Bazaar (September 2025)
• Gelt, Jessica. “Lauren Halsey unveils the design for a monumental sculpture part inSouth L.A.” The Los Angeles Times (May 20, 2024)
• Feaster, Felicia. “A thrilling exhibition of Black subjects and artists at Spelman.” The Atlanta Journal-Constitution (February 15, 2023)
• Harris, Gareth. “February book bag: from overlooked female Abstract Expressionists toa tome of new and old Black American Portraits.” The Art Newspaper (February7, 2023)
• Hicks, Cinque. “Review: Powerful ‘Black American Portraits’ at Spelman sets newbenchmark.” ArtsATL (March 6, 2023)
• Liou, Caroline Ellen. “A Survey of Black American Portraiture is a Revelation.” Hyperallergic (January 16, 2022)
• Brito, Daniella. “Julie Mehretu Reminds Us That Borders Are Meant to Be Trespassed.” Hyperallergic (May 3, 2021)
• Cheng, Scarlet. “The forgotten faces of American art: LACMA surveys 200 years of Blackportraiture.” The Art Newspaper (November 5, 2021)
• Cheng, Scarlet. “LACMA acquires 60 works with a focus on Black representation.” The Art Newspaper (December 16, 2021)
• George, Cassidy. “The Irreducible Julie Mehretu.” New York Magazine (March 26, 2021)
• Farago, Jason. “Julie Mehretu’s Long Journey Home.” New York Times (March 25, 2021)
• Ho, Christopher K.; Nam, Daisy. “Interviews: Christopher K. Ho and Daisy Nam.” Artforum (May 21, 2021)
• Keats, Jonathan. “In A Thrilling Whitney Retrospective, Ethiopian-American Artist Julie Mehretu Maps A Radical New Path For Geopolitics.” Forbes (April 26, 2021)
• Kennicott, Phillip. “At the Whitney, the monumental works of Julie Mehretu begin tostack up.” Washington Post (July 7, 2021)
• Knight, Christopher. “Review: Obama portraits find good company in L.A. museum showthat signals Black lives matter.” Los Angeles Times (November 7, 2021)
• Pogrebin, Robin. “Julie Mehretu’s Reckoning with Success.” New York Times (March 21,2021)
• Takac, Balasz. “LACMA Presents Black American Portraits to Complement the ObamaPortrait Tour.” Widewalls (November 6, 2021)
• Bryan-Wilson, Julia. “Julie Mehretu, LACMA.” Artforum (February 2020)
• Gerwin, Daniel. “Julie Mehretu’s Sublime Abstractions of History.” Hyperallergic (January 6, 2020)
• Greenberger, Alex. “The Studio Museum in Harlem Effect: How the Institution Became aKey Art Space.” ARTnews (December 8, 2020)
• Cotter, Holland; Smith, Roberta; Farago, Jason; Schwendener, Martha. “Best Art Booksof 2019.” New York Times (December 5, 2019)
• Scott, Chadd. “Julie Mehretu Mid-Career Survey Dazzles At Los Angeles County MuseumOf Art.” Forbes (December 29, 2019)
• Knight, Christopher. “In ‘Julie Mehretu’ at LACMA, the world explodes on canvas.” Los Angeles Times (December 19, 2019)
• Merjian, Ara H. “Julie Mehretu Review: War, Racial Conflict and Migration SimmerBeneath Abstract Surfaces.” Frieze (November 27, 2019)
• Wagley, Catherine. “Julie Mehretu’s New LACMA Survey Reveals an Artist at the Peak of Her Power—But Also One Unusually Eager to Share the Credit.” Artnet (November 11, 2019)
• Takac, Balasz. “Who are the Curators Behind 3 Marvelous Shows Coming up at LACMA?” Widewalls (May 5, 2019)
• Chung, Hayoung. “Curators Strive to Transcend National Borders at the Gwangju Biennale.” Hyperallergic (October 12, 2018)
• Kwon Mee-yoo. “Looking for Needle in Gwangju’s Biennale’s Haystack.” The Korea Times (September 13, 2019)
• Movius, Lisa. “11 Curators Delve into South Korea’s Hidden Traumas.” The Art Newspaper (October 1, 2018)
• Moldan, Teresa. “Gwangju Biennale: Imagined Borders.” Ocula Magazine (September20, 2018)
• Perlson, Hili. “The Gwangju Biennale is Overly Ambitious, Muddled, Difficult to Navigate-- and at Times, Extremely Rewarding.” Artnet (September 11, 2018)
• Pogrebin, Robin. “With New Urgency, Museums Cultivate Curators of Color.” New York Times (August 8, 2018)
• Sherlock, Amy. “Gwangju Biennale: Imagined Borders.” Frieze (October 15, 2018)
• Zion, Amy. “12th Gwangju Biennale: Imagined Borders.” Art Agenda (October 19, 2019)
• Griffin, Jonathan. “Frances Stark: ‘Contemporary artists are hyper-alienated and hypercompetitive.’” The Guardian (April 24, 2017)
• Wagley, Catherine G. “Sweet Melodies: Frances Stark Stages Mozart’s ‘Magic Flute’ in Los Angeles.” ARTnews (May 5, 2017)
• Olivier, Ellen. “Celebrating the Diverse Voices of Women in the Arts.” Los Angeles Times (October 18, 2016)
• Griffin, Jonathan. “Diana Thater at Los Angeles County Museum of Art.” Art in America (February 1, 2016)
• Kim, Christine Y. “Diana Thater ‘The Sympathetic Imagination’ at LACMA, Los Angeles.”I nterview with Diana Thater, Mousse Magazine (2016)
• Olivier, Ellen. “Celebrating the diverse voices of women in the arts.” Los Angeles Times (October 18, 2016)
• Gaines, Malik. (as told to Jonathan Velasco) “500 Words ‘My Barbarian: DoubleAgency.’” Artforum (April 24, 2015)
• Kino, Carol. “Film and Video Artist Diana Thater’s First Retrospective at LACMA.” WallStreet Journal (November 5, 2015)
• Mizota, Sharon. “‘Diana Thater: The Sympathetic Imagination’ stuns the senses.” Los Angeles Times (December 9, 2015)
• Stromberg, Matt. “In Diana Thater’s Immersive Videoscapes at LACMA, Viewers Enter a World Governed by Animals.” Artsy (November 30, 2015)
• Binkley, Christina. “James Turrell Brings Light to LACMA.” Wall Street Journal (May 10,2013)
• Failing, Patricia. “It’s not about Light; It is Light.” ARTnews (September 4, 2013)
• Griffin, Jonathan. “James Turrell Interview.” Financial Times (May 24, 2013)
• Hylton, Will S. “How James Turrell Knocked the Art World off its Feet.” New York Times Magazine (June 13, 2013)
• Knight, Christopher. “The Light through James Turrell’s eyes.” Los Angeles Times (May28, 2013)
• Nathan, Hillary. “Light at the End of the Turrell.” ARTnews (April 4, 2013)
• Pincus-Roth, Zachary. "James Turrell’s Mind-Bending One-Person Light Show is the Hottest Ticket in L.A.” LA Weekly (May 25, 2013)
• Sheets, Hilarie M. “A Tribute for Light Into Art.” New York Times (March 21, 2013)
• Abrams, Amy. “Christine Y. Kim Profile.” Art in America (June 6, 2012)
• Johnson, Reed. “For Christian Marclay, ‘The Clock’ continues to tick.” Los Angeles Times (May 18, 2011)
• Muchnic, Suzanne. “50 Years of Support – and Changing Tastes – at the Los AngelesCounty Museum of Art.” Los Angeles Times (May 15, 2011)
• Stewart, Laura H. “A Conversation with Christine Y. Kim Associate Curator of Contemporary Art at LACMA.” artBahrain.org (December 2011)
• Olivier, Ellen. “Scene & Heard: Los Angeles Nomadic Division art fundraiser.” Los Angeles Times (July 25, 2010)
• Myers, Holly. “Art that Makes a Public Spectacle of Itself.” Los Angeles Times (June 6, 2010)
• Muchnic, Suzanne. “New Faces on Southland Art Museum Scene.” Los Angeles Times (April 4, 2010)
• Chung, Sookhee. “The insights to prepare until the next generation is required.” The Korea Times (October 6, 2009)
• Collins, Lauren. “Studio Visit: Lost and Found.” The New Yorker (Sept 1, 2008)
• Cotter, Holland. “Out of Africa, Whatever Africa May Be.” The New York Times (April 4, 2008)
• Fels, Sophie. “Paint it Black: Portraitist Kehinde Wiley temporarily sets up shop inAfrica.” TimeOut New York, Issue 667 (July 10-16, 2008)
• Gilbert, Alan. “New African Art, Resisting Assimilation.” The Village Voice (April 29, 2008)
• Kunitz, Daniel. “Wiley Conquers the ‘World Stage.” The New York Sun (August 8, 2008)
• Lipton, Shana Tang. “Student Art Show Takes a Field Trip to Chinatown.” Los Angeles Times (May 29, 2008)
• O’Toole, Sean. “Flow.” Frieze (June – August 2008)
• Smith, Roberta. “Art Review. Kehinde Wiley: A Hot Conceptualist Finds the Secret of Skin.” The New York Times (Sept. 4, 2008)
• Bayliss, Sarah H. “c.” ARTnews, Vol. 106. No. 8 (September 2007), 140-41
• Finkel, Jori. “A Reluctant Fraternity, Thinking Post-Black.” The New York Times (June10, 2007), AR 29
• Goodbody, Bridget L. “Riffing on Modernism: Through the Roof, Brancusi!” The New York Times (April 20, 2007), E28
• Richard, Frances. “Midnight’s Daydream: Titus Kaphar, Wardell Milan II, DemetriusOliver.” Artforum (November 2007), 371
• Schwendener, Martha. “Three Contemporaries, Each With A Different Way to View the Past.” The New York Times (August 11, 2007), B13
• Cotter, Holland. “Nadine Robinson: Alles Grau.” The New York Times (Saturday, 8,2006), E28
• Cotter, Holland. “Quid Pro Quo: Rashawn Griffin, Karyn Olivier, and Clifford Owens.” The New York Times (Saturday, 8, 2006), E28
• Goodyear, Sarah. “Wangechi Mutu: An Artist Comes Into Her Own.” BKLYN (Spring 2006), 20-3
• Gronlund, Melissa. “Frequency.” Frieze. Issue 97 (March 2006), 154-5
• Kastner, Jeffrey. “Frequency.” Artforum, Vol. XLIV, No. 5 (January 2006), 217
• Kazanjian, Dodie. “Fierce Creatures.” Vogue (June 2006), 214-19, 241
• Cascade, Rebecca. “T + L 2005 Women’s Travel Special.” Travel + Leisure (October 25,2005), 77-8
• Cotter, Holland. “Meschac Gaba: ‘Tresses.’” The New York Times (March 4, 2005), E37
• Cotter, Holland. “Scratch.” The New York Times (July 29, 2005), E23
• Cotter, Holland. “Studio Museum in Harlem: Scratch: 2004-05 Artists-in-Residence: William Cordova, Michael Queenland and Marc Andre Robinson.” The New York Times (August 18, 2005), E23
• Hart, Hugh. Review. The Los Angeles Times (January 26, 2005), E10
• Jana, Reena. “Paint it Black.” Time Out New York, Issue 519 (September 8-14, 2005), 21
• Lowry, Vicky. “A Fresh Take.” Elle Décor (September 2005), 160-63
• Smith, Roberta. “Altered Views in the House of Modernism.” (April 29, 2005), E31
• Smith, Roberta. “Where Issues of Black Identity Meet the Concerns of Every Artist.”(November 18, 2005), E37
• Smith, Roberta. “Studio Museum in Harlem: Frequency.” The New York Times (November 25, 2005), B33
• Vogel, Carol. “An Artist’s Gallery of Ideas.” The New York Times (May 5, 2005), E1
• Barreneche, Raul A. “Fine, Found and Borrowed.” The New York Times (June 17, 2004),F1
• Cotter, Holland. “Black Comes in Many Shadings.” The New York Times (August 13,2004), E29
• Eleey, Peter. “Black Belt.” Frieze (March 2004), 95
• Fineman, Mia. “The History of Art, in Baggy Jeans and Bomber Jackets.” The New York Times (December 19, 2004), AR 39
• Nicols, Matthew Guy. “‘Hands On, Hands Down,’ at the Studio Museum in Harlem.” Art in America (February 2004), 126
• Budick, Ariella. “Bruce Lee: Icon of African-Asian Fusion.” Newsday (October 23, 2003)
• Dailey, Meghan. “Black Belt.” Artforum (September 2003), 70
• Murray, Derek. “‘Ironic/Iconic’ at the Studio Museum in Harlem.” Art in America (March2003), 127
• Smith, Roberta. “A Cornucopia of Cultural Exchange, Beginning With a Martial Arts Hero.” The New York Times (November 28, 2003), E47
• Barliant, Claire. “Africaine.” Art on Paper (July-August, 2002)
• Bayliss, Sarah. “Where Art Can Be Made as Well as Hung.” The New York Times (December 8, 2002), AR44
• Cotter, Holland. “Ironic/Iconic.” The New York Times (August 2, 2002)
• Griffin, Tim. “Ironic/Iconic.” Artforum (November 2002), 189
• Murray, Soraya. “Africaine.” Nka Journal Contemporary African Art (Fall/Winter 2002), 88
• “(Re)Direct(ing) Light.” NYFA: For Your Information (Summer 2002), 42001
• Cotter, Holland. “Claudia and Julia Mueller, Olu Oguibe, Senam Okudzeto, Outtara Watts.” The New York Times (July 27, 2001), E29
• Cotter, Holland. “A Full Studio Museum Show Starts with 28 Young Artists and aShoehorn.” The New York Times (May 11, 2001), E36
• Cotter, Holland. “Invoking Marcus Garvey While Looking Ahead.” The New York Times (August 24, 2001), E30
• Murray, Derek Conrad. “Freestyle.” Nka Journal Contemporary African Art (Fall/Winter2001), 92
• Saltz, Jerry. “Post-Black: Radical Intelligence at The Studio Museum in Harlem.” Village Voice (May 22, 2001)
• Sirmans, Franklin. “Mapping a New, and Urgent, History of the World.” The New York Times (December 9, 2001), AR41
• “The Light Show,” NY Arts (October 2000), 67
• Cotter, Holland. “For Hikers Seeking Art, Brooklyn Is a Left Bank.” The New York Times (December 15, 2000), E37
• Sirmans, Franklin. “The Light Show.” Time Out New York (October 12-19, 2000), 58
• “Past present,” Arts & Travel (January 25, 1998)

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